So this was my original idea for Nanowrimo before I scrapped it and decided I wasn’t ready to write this story. It’s essentially about this kid who has an extremely vivid imagination and he has no real control over it. Maybe I’ll come back to it sometime. This was the opening scene.
It starts with a pregnant woman. Her engorged belly explodes into a bloody mess all over the table, all over her grilled salmon, all over her husband’s well done cheeseburger, and all over her two children’s chicken tenders and french fries. The children are next. Both of their heads simultaneously explode, covering the dark red leather booth in cognitive matter and blood. You can see the tips of their spines protruding from the remnants of their necks. The husband is a bit more entertaining to watch. First, his left foot pops, sending toes across the dining area into an old woman’s spaghetti. Then, his entire left leg combusts into a flurry of flesh-and-bone-shrapnel, rocketing him upward violently. His left arm goes kaboom right after, and his hand lands in a middle-aged woman’s brand new perm that she probably spent way too much money on. The husband’s body, or at least what’s left of it, comes to rest on his wife’s mutilated womb, and the two children tip over and make a splash as they fall onto the bloody floor.
This all happens within a few seconds, just enough time for everyone who was happily and stupidly dining just seconds ago to have no idea what happened. The old woman is unaware that the meatball that she’s raising to her cracked and crusty lips is actually a toe. Before she can sink her teeth into the cute, little piggy, the middle-aged woman shrieks and screams. It’s a horrible, shrill sound. I can’t take it for much longer than a few seconds, so her implants burst, her plastic nose falls off, and her hair catches fire. Then the rest of her detonates into a lovely fulmination of blood and organs. Her date, a man of similar age, wearing a bespoke black suit, now has a visage of complete and total horror, replacing the cocky smirk that he was hosting only moments ago. He tips over in his chair, and cracks open the back of his head.
At this point, the restaurant is in chaos. Woman are scrambling over their husbands, grabbing their children, other waiters are weaving between tables, trying not to knock into each other. A very large man, running (or at least running by his standards) for his life trips over the man with the cracked open head, who is still lying on the ground in agony. His cellulite jiggles and bounces as he hits the ground and encompasses the man with excess flesh. Several other people, including a man probably in his fifties, his teenager daughter, his daughter’s friend, and a woman, trying to make their escape from the madness, all fall over the extraordinarily obese fellow who is now incapacitated on the floor. The girls’ matching Gucci handbags spill all over the tile. iPhones, Lancôme make up, Tampax Tampons, and Jergens lotion all fly out and slide around in the blood that is slowly coating the floor. A Trojan Ultra Thin condom managed to make its way into the party as well. Like a German Topfmine, the fat man ruptures into a spectacular paroxysm. The girls are shot up into the air, where their skin-tight Hollister t-shirts are shredded as the girls shatter. The man and woman land on top of a table in a very promiscuous position, smashing coke glasses and half eaten plates of food.
The rest of the establishment is nearing the door when all of their eyes erupt, and they all stumble over each other. It sort of looks like the giant car crash scene towards the end of The Blues Brothers. Then, the mass of flesh and blood and feelings and screams and cries pops, painting the whole entry area a delightful shade of dark red. Some stray intestines and other various guts get draped over the for-decoration-only coat rack. Brains are plastered along the ceiling, and a few pieces of bone break a couple of the windows. The floor is so saturated with blood, that it looks like it could be used as a Slip N’ Slide. I almost try it, but the double doors to the kitchen swing open, and a chef comes out with a knife in hand. With a glance and a whiff of the the scene that had just unfolded, he vomits all over his shoes. It looks like he had been sampling too much of the soup, as it’s very runny. The shock of throwing up so suddenly causes him to drop the knife onto his foot. It goes straight through, and is sticking straight up. Eyes wide, with chunks of half digested, stomach-acid coated chicken hugging the corners of his mouth, he steps back, only to slip in his own mess. Landing on his back, he expels again, this time all over his white cooking attire. Writhing in pain from the cooking utensil in his foot, the cook is turning and tossing and rolling in his vomit. Blood drips from his foot and begins to swirl into the vomit. More blood galaxies begin to dot the Universe of Regurgitation that has erupted from the cook. It’s beginning to spread out into the large pool of blood, and it’s only a matter of time before it all amalgamates.
I take a moment to appreciate my work. In the dining area, the remnants of several human beings are now scattered amongst the toppled tables and capsized chairs. A nice, thick layer of blood is glazed across the linoleum floor. Broken glass and tableware is broadcasted all over the room. In the lobby, a similar scene is seen. The blood and vomit has now become one, wonderful bodily fluid. The chef is still wiggling around, but with much less vigor than when I left him. He gets torn in half, from the crotch up, just for good measure. His insides spill out into the blood-vomit solution. Just as I make my way to leave, I turn my head and see the old woman, still at her booth, quivering. Her fork is still in her hand, the fork with the toe stabbed onto it. The toe poofs into a mist of blood, and sprays all over her face.